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Perhaps best known for Rebel without a Cause, American filmmaker Nicholas Ray directed dozens of movies in the film noir genre, including In a Lonely Place, Johnny Guitar, and They Live by Night. Born in Galesville, Wisconsin, in 1911, Ray was an iconoclastic figure in film-an alcoholic, depressive, and compulsive gambler-who found himself increasingly blacklisted in Hollywood in the 1960s only to be heralded as the spiritual father to American cinema's New Wave and one of America's greatest rebel auteurs. From Martin Scorsese to Jean-Luc Godard and Jim Jarmusch, Ray's influence can be seen throughout the work of some of the twentieth century's greatest directors. In this authoritative biography, Bernard Eisenschitz leaves no stone unturned.
Arhitectul care ar accepta rolul de combinator de clisee vechi, semnificative si banalitati valabile in contexte noi, ca fiind conditia sa intr-o societate ce isi dirijeaza in alta parte cele mai reusite eforturi, sume importante si terminologii elegante, ar putea exprima ironic, in aceasta maniera
O arhitectura riguroasa, daca se poate inchipui asa ceva in zilele noastre, ar invoca desigur criticile multiple si vederile criticilor postmoderni ai miscarii moderne, recunoscand in acelasI timp ca propria lor munca arareori are profunzimea si autenticitatea celei atat de hulite a predecesorilor l
In this concise study, Nicole Brenez argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara's oeuvre
The Royal Institute of British Architects (RIBA) was founded in London in 1834 for the advancement of architecture and began assembling its collection of architectural photographs from the outset. It is now one of the largest in the world. The present book brings together a carefully selected set of
