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Moving Still: Performative Photography in India explores themes of migration, gender, religion and national identity through the lens of modern and contemporary photography in India. While exploring the early beginnings of photography in India with works from Ram Singh II and Umrao Singh Sher-Gil, the primary focus of this publication is the lens-based practices of contemporary artists such as Naveen Kishore, Atul Bhalla, Tejal Shah, Vivan Sundaram, Sunil Gupta, Anita Dube and Pushpamala N. Artists rooted in the diversity of cultures and multiplicity within the country, while at the same time engaged in a global dialogue. The publication will include profiles on each of the participating artists, a timeline on the history of performative photography compiled by Critical Collective, as well as feature essays by Diana Freundl, Associate Curator, Asian Art at the Vancouver Art Gallery, and Gayatri Sinha, art critic and curator, that together expand on the historical importance and relevance of photography as an
Lois Greenfield's unique approach to photographing the human form in motion has redefined the genre of dance photography and transcended its limitations. Rather than shooting literal moments from a dance, Greenfield captures split-second movements created specifically for her camera. Her astonishing
Learn to embrace grief, manage it, and identify coping strategies with this practical, comforting, and inspirational guide. Every grief journey is different, but we all need reminders, comfort, and inspiration to come to terms with making necessary changes after a loss, recognizing what we can and c
The place is the middle border, the Midwest borderland remembered in the writings of Hamlin Garland. Richard Quinney’s autobiographical essays begin with his birth and early years on the family farm in southern Wisconsin, continue through a lifetime of movement away from the farm, and document a ret
It's just an everyday apocalypse. Three years ago the aliens invaded Tokyo. Nothing was ever the same again. But after a while, even impending doom starts to feel ordinary. Despite the ongoing menace of wild Invaders and A-ray contamination, people are still moving to Tokyo to find opportunities and
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