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Since 1983, Christian Stock (b. Tux, Tyrol, 1961; lives and works in Vienna) has mostly painted squares: square upon square, layer upon layer, again and again. This incessant repetition of the icon of abstract painting, Kazimir Malevich's Black Square, results in a painting that is "objective" in the most literal sense. Precicely adding layer of paint to layer of paint in a process that takes years, Stock transforms the monochrome painting, the most abstract or most concrete form of his art, into a cube. A new realism of painting, a cubic picture, emerges. In this book, Christian Stock presents a survey of the cubic pictures he has created over the past three decades. The artist visits his collectors and takes photographs that show with their works; the camera also documents the cubic pictures in the storage departments of public collections as well as the works in progress at his studio. With essays by Graham Domke, Peter Friese, and Abraham Orden.
Leland Ryken (Ph.D., University of Oregon) is Professor of English Emeritus at Wheaton College, where he has taught since 1968. He is the author of more than 30 books, including How to Read the Bible as Literature (Zondervan), Words of Delight: A Literary Introduction to the Bible (Baker), Windows t
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Share the true meaning of the season with a heartwarming, original telling of the very first Christmas in this picture book for kids! On this divine night in Bethlehem, as the stars are brightly shining, a voice calls down to a group of animals gathered in a stable. It is time to prepare for a speci
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Born in Ireland in 1800 of English Stock and raised in a strongly Protestant surrounding, Kenelm Henry Digby entered the Roman Catholic Church while writing his first great masterpiece; The Broadstone of Honour, first published in 1822. The Broadstone treats of the origin, spirit and institutions of
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The American political scene today is poisonously divided, and the vast majority of white evangelicals play a strikingly unified, powerful role in the disunion. In this clear-eyed, hard-hitting chronicle of American religion and politics, Anthea Butler argues that racism is at the core of conservati
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