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"Twilight of the Idols means that the old truth is on its last legs," declared Friedrich Nietzsche in this 1889 polemic. Forceful in his language and profound in his message, the philosopher delivered the nineteenth century's most devastating attack on Christianity. Intended by Nietzsche as a general introduction to his philosophy, it assails the "idols" of Western philosophy and culture, including the concepts of Socratic rationality and Christian morality. Written while Nietzsche was at the peak of his powers, less than a year before the onset of the insanity that gripped him until his death in 1900, this work's proximity to the end of the author's career renders it a distinctive portrait from his later period. The source of the famous dictum, "Whatever does not kill me makes me stronger," it blazes with provocative, inflammatory rhetoric that challenges readers to reexamine what they worship and why.
'Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietz
The three works in this collection, all dating from Nietzsche's last lucid months, show him at his most stimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the Ubermensch) are forsaken, as wit, exuberance and dazzling insights predominate,
The works of Friedrich Nietzsche have fascinated readers around the world ever since the publication of his first book more than a hundred years ago. As Walter Kaufmann, one of the world's leading authorities on Nietzsche, notes in his introduction, Few writers in any age were so full of ideas, and
'We must learn to love, learn to be kind, and this from our earliest youth ... Likewise, hatred must be learned and nurtured, if one wishes to become a proficient hater' This volume contains a selection of Nietzsche's brilliant and challenging aphorisms, examining the pleasures of revenge, the falsi
